Sebastiaan de With is officially joining Apple’s design team, a move that immediately raises questions about what this means for iPhone design, camera software, and the future of the popular pro photography apps he helped create. Known for his strong opinions on mobile imaging and thoughtful product design, de With says he is excited to work on his “favorite products” alongside Apple’s internal teams. For readers searching whether this impacts Halide, Kino, or Apple’s camera direction, the short answer is: Apple gains a respected design voice, and Halide is not going anywhere.
This transition places one of the most recognizable independent iPhone camera thinkers inside the company that defines the platform itself.
Sebastiaan de With has built a reputation as more than just an app maker. Over the years, he became a trusted voice on how smartphone cameras should feel, not just how they should perform. His writing and product decisions consistently focused on intentional photography rather than automation-heavy shortcuts.
By joining Apple’s design team, de With brings an outside, opinionated perspective into a company known for tight internal design culture. That matters because Apple products often benefit when designers who deeply understand user behavior influence long-term decisions. His background suggests a focus on craft, restraint, and clarity rather than feature overload.
For Apple users, this signals a potential refinement phase rather than a radical redesign moment.
De With is best known as the co-founder behind professional iPhone camera tools like Halide and the cinematic video app Kino. These apps stood out because they did not try to copy traditional cameras blindly. Instead, they leaned into what the iPhone does best while still giving creators meaningful control.
Features such as minimal processing modes and manual capture tools reflected a clear belief: photographers should decide how an image feels. That philosophy resonated strongly with enthusiasts and professionals who felt smartphone photography was becoming too automated.
Apple’s camera systems already dominate the mainstream. Adding a designer with deep empathy for advanced users could help balance simplicity with power.
One of the biggest concerns surrounding this move is whether Halide and related apps will survive without de With’s day-to-day involvement. According to statements from Lux’s leadership, the answer is clear: the company is continuing forward without disruption.
Halide has just entered a new major phase with its latest iteration, and development momentum remains strong. De With’s co-founder emphasized that the team is larger, more confident, and more optimistic than ever. Design at Lux has always been collaborative, and leadership responsibilities are already distributed across the team.
In short, users should not expect Halide to disappear or stagnate because of this change.
Apple’s design team is famously selective, and bringing in an external designer with a public voice is not common. De With’s long history of thoughtful critique, including praise and criticism of Apple’s own camera decisions, makes this hire especially interesting.
Rather than being a yes-man, he is known for strong opinions backed by experience. That can be valuable inside a large organization where internal consensus sometimes outweighs creative tension. Apple has historically benefited when designers with clear philosophies help shape product direction behind the scenes.
This move suggests Apple is still willing to listen to designers who challenge assumptions, even if quietly.
While Apple has not shared details about what de With will work on, the implications naturally point toward camera experience and product feel. That does not necessarily mean more manual controls for everyone. Instead, it could mean smarter defaults, better visual consistency, and fewer confusing options.
De With has often argued that good design is about removing friction, not adding features. If that thinking influences future iPhones, users may notice cameras that feel more intentional and less unpredictable. Subtle improvements often matter more than headline features, especially for everyday photography.
Any impact will likely be gradual, showing up over multiple product cycles.
For de With, joining Apple represents a rare transition from independent creator to shaping products used by millions. For Apple, it represents an investment in design thinking that grew outside corporate walls. This is not just a career move; it is a cultural signal.
Apple continues to attract designers who care deeply about how products feel in real hands, not just how they look on stage. That alignment matters as competition in smartphone hardware tightens and experience becomes the real differentiator.
The move does not rewrite Apple overnight, but it does quietly strengthen the design bench.
Sebastiaan de With joining Apple’s design team reflects a broader trend of platforms absorbing the creators who once built around them. When done well, this can improve products without erasing independent voices elsewhere.
With Lux continuing independently and de With stepping into a new role, both sides appear positioned to benefit. Apple gains insight from a designer who understands its users deeply, while Halide remains focused on serving photographers who want more control.
For Apple fans and mobile creators alike, this is one of those subtle industry moves worth watching closely over the next few years.
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